Zak Labiad: ‘The Invisible Dog’ Shot-List:
Shot 1: Mid-shot of puppy box on doorstep, camera moving up
to capture a disgruntled man in grey.
Shot 2: Close-up P.O.V’s from both the man and the dog
looking at one another
Shot 2: Close up toward the side of the man looking puzzled
at his discovery.
Shot 3: Mid angle Mid-shot of the man deciding to keep the
box, returning to his sanctuary from the outside world, presumably his house.
Shot 4: Deep Close up of camera on dolly as it captures
B-roll footage of blossoming green leaves, flourishing in bright sunlight.
Shot 5: High-angle shot of the man placing a lead onto the
invisible dog.
Shot 6: Mid shot of the man wrestling with a chew toy with his
newly adopted invisible pet. The man’s head is purposefully cut from the shot
so as to intertextualsie and parody the humans featured in carton ‘Tom and
Jerry’ this being having a profound influence on the director, as well as evoking
the dogs importance toward the viewers of the film.
Shot 7: titled mid shot capturing the back of the man existing
through the main door of the house, accompanied with the invisible dog ties
with a lead, as the two prepare the outings.
Shot 8: High-angle P.O.V shot of the man’s perspective a she
takes the dog out for a walk. The audience will be able to see the lead as it
ventures toward a lamppost comically preparing to urinate.
Shot 9: Wide-angle establishing shot of a grassy pathway and
plain white wall, as the man continues to take his dog out for a walk.
Shot 10: Wide-angle establishing shot of the man taking his walk
with the dog in a gusty field.
Shot 11: Deep close-up of a bird house
Shot 12: Wide shot of the man walking own the street with
the invisible dog only to be met with a woman and her real life dog. These seems
to be signs of a confrontations however both the master and mistress of their
dogs depart their separate ways.
Shot 13: Far-away shot of the man walking from street to
street. Gets closer through each quick and sped up shot, almost like a montage.
The altering of speed is crucial here in order to gain hilarity within an audience.
Shot 14: Deep close-up of a dead plant in a basket, captured
with low key lighting so as to signify a sombre mood.
Shot 15: Close-up that trails the walking of the man from
inside the house, following his journey from his room, down the stairs, and into
the kitchen only to be followed with an abrupt halt.
Shot 16: Close up of the man’s face as he witness the slump
body of his companion. The face of the mans engulfed by shadows so as to signify
his later mourning of the animal.
Shot 17: Deep close-up pull focus of an empty basket.
Shot 18: Deep close-up of the man’s eye.
Shot 19: Mid shot of the man looking in the mirror, unbuttoning
his grey shirt to reveal a scarlet red jumper underneath.
Shot 20: Mid shot trailing the man now dressed in bright
primary colours a she walks into the woods, a shovel in hand.
Shot 21: High angle shot of the man digging a grave for the
invisible dog.
Shot 22: Mid-shot, having finished digging the grave and burring
the dog in the woods, the man exists the woods through a very leafy pathway.
Shot 23: Close-up B-roll footage of a lilly.
Shot 24: wide angle establishing shot of the man thinking of
his time with the dog, as he cast against the sublime background of a lake.
Shot 25: Close-up of a painting illustrating a dog that eventually
pans toward the face of the animal.
Shot 26: Close-up B-roll footage focus pull of a small golden
statue of a dog.
Shot 27: Close-up, handheld capturing the shrine that the
man has made for his deceased pet.
Shot 28: Deep close-up of a flaming candle of wax.
Shot 29: close-up of well-lit outdoor surrounding capturing
a real life dog, alluding toward how the man perceived his invisible pet.
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